![]() Next, click on the top right of the Scene Cut Detection window and select Load EDL. This makes it easiest for DaVinci Resolve to translate the edit points.įrom there, I’ll simply right click on the master file in DaVinci Resolve and select Scene Cut Detection… to test them out, I’ll request that they flatten everything down to track one before creating the EDL. In other words, if the editor has been layering clips on tracks two, three, etc. ![]() I’ll also specify that the master file should have no text, filters, or effects on it and the EDL should be created after the project has been flattened down to a single video track. Typically when I’m going to color grade a feature film that doesn’t need to be linked to RAW files (for instance if we’re using a ProRes workflow), I’ll simply ask the editor for two files: one master file of the film in full resolution and one EDL file. The good news is that you can use scene cut detection in conjunction with an EDL file in order to get frame-accurate cuts every time. Sometimes it misses an edit, while other times it may create an edit where there shouldn’t be one. It works beautifully, but like any tool, it isn’t always 100% accurate. ![]() For long-form DaVinci Resolve projects, one of the easiest ways to get up and running involves using the powerful scene cut detection feature.įor those of you that aren’t as familiar with this feature, scene cut detection is a powerful tool within DaVinci Resolve that will scan through a video file and automatically create cuts for you so that you can grade each shot individually. ![]()
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